Philly Fringe 2025: FringeArts presents nora chipaumire’s Dambudzo
Dambudzo means trouble… By Melissa Strong
Wo bleibt die Erfahrung?
Das Kunstwerk des Monats: »Dambudzo« als Anti-Genre-Kunst von nora chipaumire
Hosting Ambivalence: nora chipaumire’s Dambudzo
Dambudzo, live performance by nora chipaumire, reviewed at Festival d’Automne, Les Chaudronneries, Paris, France, September 12-15, 2024. By Fabien Maltais-Bayda
Tanz im August – Eröffnungswochenende
In the stuffy-hot stage house of the Alte Münze in Berlin-Mitte, a venue for the dance festival for the first time, choreographer nora chipaumire presented her piece “Dambudzo” – “Trouble” – a piece full of zest for life and joy of living. Frank Schmidt
Auf den Hund gekommen
nora chipaumires „Dambudzo“ und Adam Linders & Ethan Brauns „Tournament“ bei Tanz im August. Zwei Tanz im August-Veteran*innen zeigen ihre neuen Arbeiten und suchen beide nach heutigen Verbindungen von Live-Musik und Tanztraditionen.
12 Art-World Tastemakers on the Artist They’re Most Excited About in 2026
Valentine Umansky, Curator, International Art at the Tate Modern, “I’m so excited for nora chipaumire, whose transdisciplinary, movement-led practice will finally be receiving well-deserved attention in museums. We invited her to imagine a large…
The West Did Not Make Me
As a longtime admirer of nora chipaumire’s work–its raw power, nuanced politics, rigorous physicality, and distinctly non-Western storytelling–I was thrilled when she agreed to chat about her journey and process as a performing artist. This is an excerpt of our full conversation, all the way from Zimbabwe to New York. By Ankita Sharma
Top Five: nora chipaumire
The recipient of this year’s Infinities Commission tells us what’s on her radar. Infinities Commission: nora chipaumire, Tate Modern, 3 June – 26 August
Inside nora chipaumire’s radical new Tate Modern commission
For her monumental new commission Gadzi, nora chipaumire transforms Tate Modern’s East Tanks into a space of ritual and radical imagination. The artist speaks to Nicolas Vamvouklis about spirituality, colonial institutions and why performance should disrupt accepted limits. By Nicolas Vamvouklis