nhaka bhuku 2
cartography of the animist body and radical black african presences
animist technology
practice and process
iBhuku 2 is concerned with decoding , codes . cultural codes
its emancipatory mission | liberating | decolonizing | repatriating platform | codifying | gathering | the sonic texts and fictions | physical transcendences | the highest possible representation of human potential | embedded Shona DicTUMS | Jurisprudences | jurisdictions | philosophies | known as TSIKA | Nhaka | hukama | hunhu | chikaranga |
nehanda’ s children have woke from their colonial slumber
VaZvarwapatsva | need | Imagination | stamina | trust | to animate | breath life into |
their pasts present and futures Selves | making this emancipatory act a liberation a tool forward
none but ourselves | no other truths have liberated us from
capitalist | christian | mohamedan | forms of entrapment | death
freedom is the ability to animate one s past present future selves
bhuku 2 is a
mhondoro thought | master thought on
Art | Culture
on what the role of art in culture | artists in society is
for the wise these two words are one not two separate ideas
the major Gift is culture |
bhuku 2 is
language | development | preservation
ritual language | secular language
it is without doubt that Munhu hunhu ne hunhu hwake | without this you are | animal | mhuka | mbongoro |
bhuku is
chikaranga | action | word
gifts
dancer | musician
Mutambi | Gwenyambira | munyanduri | dzinyaNgoma | Madzitete | artistic territory | education
artistic tendencies are observed by those who spend the most time with children
aunts and grannies | tete | ambuya |
the gifted are taught by those they are not afraid of or shy with | MUNYARIKANI | someone you can´t learn from because of great respect | ruremekedzi
tete | like your sister as she is your father sister tete is raised within family lores and is an expert in tsika | that family tsika
mbuya | grandma | because she is a mutorwa | stranger | in the family meaning she married INTO but is not part of its dna | she knows even more than sister | Sekuru | tenants of the family know everything about the family and hence are endowed with the right to be the art school
the artist body is prepared by tete | Mbuya sekuru
art school would teach all the required | known repertory of that family | and when dancers or musician go other peoples dances | Bira | they will expand their repertory etc etc
the modern dilemma | urban living and broken families | maids, servants have the most time with the young artist | but completely unable to educate and develop tsika
Mhondoro THOUGHTS | urgent ideas
| ARTIST | to move with the gods you must be worthy | gifted | chosen | prophet of the people | messenger | from the gods | assassin carrying the word |chamudenga medenga + izwi | the children of nehanda | time NOW
totsinhira | testify | witness | echo
language | shona the language used for those scared tenants of the culture | animist technology
create a tool box | ways to learn | grow | improve collective understanding of the world + shona cultural universe | the beauty of living to ones fullest potential
To catapult | to extract from the past | future capacities | to realize the future | in the present
black african futurists futures | held in the concepts | philosophies | hunhu | chivanhu | nhaka | chikaranga | Tsika
The human animal has the ability to speak to its past | present | future selves via the conduit generally referred to as the ancestor | spirt | mhepo | wind | this conduit has revealed itself to different time zones | geographies and unleashed its power surges using various names | the future for black beings is unfolding in the present | beyond digital capacities | hence Nhaka | cartography of animist technologies | a text on the mesmerizing lives of those chosen | and the new generation | born in culture
sound clusters | sonic literatures
physical transformations | metaphysical transportations
nhaka siyiranwa | mugara dzakasungwa | 4 gwinyai rustito - master teacher
tsika | language | sound | gesture
dancer | drummer
value of tribe - DUNHU - sing same hymn sheet | ancestral shadows | conversation | beauty of their nhaka | evident deep tsika = virtuosity
DUDZIRO | testify
tsigira | tsigiro | tsinhira | witness | support
dancer is mukwenenzera | one who polishes the action | + more
drummer | dzinyangoma - one who grabs | captures the drums
munyanduri | the kind of drummer who understands different vibrations | for different dancers | or that drummer who can read the sound of the dancer regardless of what tribe they come from
master drummer | master dancer + nhaka posse
detemba | to speak |
muimbi | singer
voice | controls | connects
body instrument | signing or speaking |
body gesture is VOICE | speaks
Kukuza | Bikiro | Zivo | knowledge
The physical body | spiritual body | tateguru |shadow | spirit | MUSE | Land spirits | water spirits
working the sacred in secular spaces or public spaces versus | ritual space -Bira | dare
Health | vigor | stamina develop the power |
Listening
Seeing
Hearing
Speaking
Imagination | dreams | backflight swagga
advancing | developing | Tsika | culture
artists | society | future artists | Built | natured | sustained |
BODY | SPEECH | GESTURE
*A temple | sacred site | hosting spirit
*A tool , which can be used by owner or by others
*Only human animal |carries the spirit of GOD
senses | smell | sight | feel = communication
parts
moyo | heart
character
decisions
rhythm
brain
processor
information archive
stomach
tank | food
kidneys
sternum
all connected to heart
hands | arms
legs | feet
wheels with sensors to hear and see | avoid danger etc | must have pressure for the instrument to MOVE
skin |
largest sensory agent
it does breath and hear ..
hair
cuticles
spirit | how does one connect to spirit | muse | mhepo
entire BODY can hear | see | think | process | speak | feel
videos+ photo | guzmán infanzón, shika mohamed yousry